Cyhoeddiadau 2023

Aijón Bruno, D. 2023. Fryderyk Chopin’s art of piano fingering in context: Towards historically involved performance of the Etudes. PhD Thesis , Cardiff University.
Cenciarelli, C. 2023. 'Hello darkness, my old friend': The company of music in a cinema of (shared) loneliness. New Formations 2023 (109), pp.29-46. (10.3898/NEWF:109.03.2023)
Faria Gomes, P. 2023. Sonatina. Pedro Faria Gomes.
Guan, B. 2023. English arrangements of instrumental music for the keyboard, 1708–1762: method and practice. PhD Thesis , Cardiff University.
Hamilton, K. 2023. Kenneth Hamilton plays Liszt – Volume 2: Salon and Stage. [CD] 2023Available at: https://www.ascrecords.com/primafacie/salon_stage.html.
Johnston, T. 2023. Intersecting influences: Finding compositional unity across different musical spaces. PhD Thesis , Cardiff University.
Jones, N. 2023. ‘The rain soaked sky is leaden’: Welsh identity and dystopian impulses in The Doctor of Myddfai. Cambridge Opera Journal 35 (1), pp.75-105. (10.1017/S0954586723000046)
Jones, N. 2023. The role of the child in Peter Maxwell Davies's The Doctor of Myddfai: Characterisation and Agency. Presented at: Research Colloquia, KU Leuven Katholieke Universiteit Leuven, Belgium 20 March 2023.
Jones, N. 2023. The symphony in Britain and Ireland since 1900: A critical history - the editor’s perspective. Presented at: NABMSA Colloquium Series - North American British Music Studies Association Online 27 November 2023.
Leech, P. 2023. Giovanni Battista Casali (1715-1792): Sacred music from Eighteenth-Century Rome. [Sound recording and sleeve notes] 2023-11-03
Mawer, D. et al., 2023. Accenting the classics: Editing European music in France, 1915–1925. Woodbridge: The Boydell Press. (10.1515/9781800109018)
Morgan, H. 2023. Music, platforms and the digital self: the negotiation of identity in online music cultures in the 2010s. PhD Thesis , Cardiff University.
O'Connell, J. 2023. Münir Nureddin Selçuk’un Yurt içi ve Yurt dışı Konser Turneleri (1929-1939). In: Bertuğ, İ. and Kıyak, H. eds. İstanbul’un Engin Sesi: 40 Yılın Ardından Münir Nureddin Selçuk. Kubbealtı Neşriyatı. , pp.163-185.
O'Connell, J. 2023. Üstâd-ı Cihân: Ottoman music and Turkish musicians in Khedival Egypt. In: Güray, C. ed. Üstâd-ı Cihân: Tanbûrî Cemil Bey. Anadolu Müzik Kültürleri. , pp.32-47.
O'Connell, J. M. 2023. Alaturka: Türk Müziginde Bir Üslup [Alaturka: A Style in Turkish Music]. Albaraka Yayinlari.
Rae, C. 2023. Pianism and virtuosity in Messiaen’s Vingt regards sur l’enfant-Jésus. In: Sholl, R. ed. Messiaen in Context. Cambridge: Cambridge University Press. , pp.207-220.
Rae, C. 2023. Revitalising the spiritual: Messiaen and La Jeune France. In: Sholl, R. ed. Messiaen in Context. Cambridge: Cambridge University Press. , pp.103-118.
Rowden, C. 2023. ‘Anne Charton-Demeur: a “classical” diva’. Berlioz Society Bulletin 219 , pp.18-35.
Rowden, C. 2023. Ohé! les p’tits agneaux! A Parisian revue de fin d’année for 185, ed. Richard Sherr [Book Review]. Notes: the Quarterly Journal of the Music Library Association 79 (4), pp.651-654.
Rowden, C. 2023. ‘Operatic gems: Adelina Patti, prerogative and paste’. In: Talasniemi, J. , Broman-Kananen, U. and Koivisto-Kaasik, N. eds. “Her creative process”: pathways to music history and performance. Festschrift for Anne Kauppala. DocMus Research Publications Helsinki: Univeristy of the Arts Helsinki. , pp.79-98.
Rowden, C. 2023. ‘¿Por qué eres Romeo?’ [Programme Note]. Translated from the original by L. Gago Bilbao: Bilbao Opera
Rowden, C. and San Martín Arbide, L. 2023. #JeSuisCarmen [Programme Note]. Paris: Opéra-Comique
Sierra, A. 2023. Birds and Insects, Book 3.
Sierra, A. 2023. Kiskadee for orchestra.
Zhou, T. 2023. Interaction with traditional Chinese music in a portfolio of original compositions. PhD Thesis , Cardiff University.