Cyhoeddiadau 2022

O'Connell, J. M. and Motherway, S. H. eds. 2022. Staged folklore: the national folk theatre of Ireland 1968-1998. Cork: Cork University Press.
Bennett, E. 2022. Diagnosing Lucia: The representation of female madness in nineteenth-century Italian opera. PhD Thesis , Cardiff University.
Bickerton, D. 2022. Challenging tradition: Transforming assessment in higher education music. Presented at: MusicHE Annual Conference Online 3 May 2022.
Bickerton, D. 2022. Composing music in Wales: Sound and style. Presented at: International Lecture Jagiellonian University, Krakòw, Poland 14 June 2022.
Bickerton, D. 2022. Confremant Saecula Studentum, Evans (1909) arr. Bickerton (2022).
Bickerton, D. 2022. Consolation: for soprano saxophone and piano.
Bickerton, D. 2022. Fogbow for two pianos.
Bickerton, D. 2022. Nothing new here! Composing with counterpoint: Challenge and freedom. Presented at: International Lecture Jagiellonian University, Krakòw, Poland 13 June 2022.
Bickerton, D. 2022. Together again: for orchestra.
Bickerton, D. 2022. Weather By Funk II (2022) for big band.
Chapin, K. 2022. 'Heinrich Christoph Koch: Musikalisches Lexikon'. In: Wörner, F. and Wald-Fuhrmann, M. eds. Lexikon Schriften über Musik. Band 2: Musikästhetik in Europa und Nordamerika. Kassel and Berlin: Bärenreiter/Metzler. , pp.444-447.
Ferreira, A. B. 2022. The Joly Braga Santos Piano Concerto (1973) and its pivotal role in the evolution of his pianism. PhD Thesis , Cardiff University.
Hamilton, K. 2022. Busoni, Schoenberg et Gottfried Galston : perspectives sur la pratique d’interprétation pianistique au début du xxe siècle. In: Rieben, N. ed. Quelles sources pour l'analyse d'un choix interprétatif ?. Chateau-Gontier: Éditions Aedam Musicae. , pp.161-189.
Hamilton, K. 2022. Chopin-Liszt: Paradoxes of reception and performance history in the Polonaise op.53 and Funérailles. In: Samson, J. and Chechlińska, Z. eds. The Integration of a Work: From Miniature to Large Scale. Warsaw: Fryderyk Chopin Institute. , pp.241-269.
Hamilton, K. 2022. Do they still hate Horowitz? The Last Romantic revisited. In: Seskir, S. and Kim, D. H. eds. Topics in Musical Interpretation. New York: Routledge. , pp.172-197.
Jones, N. 2022. Art music and Welsh identity. Presented at: 58th Annual Conference of the Royal Musical Association Durham, UK 8-10 September 2022.
Jones, N. 2022. Composing Cymru: Art music since 1940. In: Herbert, T. , Clarke, M. V. and Barlow, H. eds. Cambridge History of Welsh Music. Cambridge University Press. , pp.264-290. (10.1017/9781009036511.015)
Jones, N. 2022. ‘The northern night-fire calls us to our sleep’: Peter Maxwell Davies’s The Hogboon and the Dynamics of Late Style. Presented at: Music Since 1900 Twelfth Biennial International Conference Birmingham Conservatoire 17-20 June 2022.
Kouyaté, Z. A. 2022. The tradition of invention: The Kamalengoni Harp in Mali and Burkina Faso. PhD Thesis , Cardiff University.
McPhee, L. 2022. Herstory: A study into the representation of women, explored through composition. PhD Thesis , Cardiff University.
O'Connell, J. 2022. Sik bir gazel oldu: Style and taste in Turkish classical music under Atatürk. Turkish Area Studies Review 40 , pp.3-8.
O'Connell, J. M. 2022. Folklore in stages: theorising tradition. In: O'Connell, J. M. ed. Staged Folklore: The National Folk Theatre of Ireland 1968-1998. Cork: Cork University Press. , pp.81-96.
O'Connell, J. M. 2022. From stage to page: Fadó Fadó and the Kerry tradition. In: O'Connell, J. M. ed. Staged Folklore: The National Folk Theatre of Ireland 1968-1998. Cork: Cork University Press. , pp.155-170.
Rowden, C. 2022. Hérodias et les Salomé des scènes parisiennes. In: Reynaud, C. and Séginger, G. eds. Berlioz, Flaubert et l’Orient. Paris: Le Passage. , pp.226-237.
Rowden, C. 2022. Hugh Macdonald, Saint-Saëns and the stage: Operas, plays, pageants, a ballet and a film [Book Review]. Fontes Artis Musicae 69 (1), pp.59-63. (10.1353/fam.2022.0002)
Rowden, C. 2022. Stéphane Leteuré, Croquer Saint-Saëns: Une histoire de la représentation du musicien par la caricature [Book Review]. La Revue de Musicologie 108 (2), pp.505-507.
Sierra, A. 2022. Butterfly House.
Zhuo, Y. 2022. Experiencing identity, forming poetic space: Expression and interaction in a portfolio of original compositions. PhD Thesis , Cardiff University.