Cyhoeddiadau 2020

Smith, R. L. and Rowden, C. eds. 2020. Carmen abroad: Bizet's opera on the global stage. Cambridge University Press.
Branger, J. et al., 2020. Claude Debussy d’hier à aujourd’hui. Paris: Société française de musicologie.
Bickerton, D. 2020. As Alive As Ever.
Bickerton, D. 2020. Breaker of Stones.
Bickerton, D. 2020. Breaking down barriers to online music-making. Presented at: Music Mark Annual Conference Online 22 October 2020.
Bickerton, D. 2020. Call me to you: for solo oboe.
Bickerton, D. 2020. Ensemble music-making: responding to the challenges of COVID-19 for performers and composers. Presented at: MusicHE 2020 Online 3 July 2020.
Bickerton, D. 2020. Roots.
Bickerton, D. 2020. We will dance again.
Bickerton, D. 2020. What heights of love: for violin and piano.
Bickerton, D. 2020. Wild Water.
Bickerton, D. 2020. Wires Crossed.
Bickerton, D. 2020. Yearning.
Bromley, M. 2020. Formations – Music from rocks: New approaches to systematic composition. PhD Thesis , Cardiff University.
Calo, F. et al., 2020. The impact of a community‐based music intervention on the health and well‐being of young people: A realist evaluation. Health and Social Care in the Community 28 (3), pp.988-997. Volume28, Issue3 May 2020 Pages 988-997. (10.1111/hsc.12931)
Chapin, K. 2020. Beethoven's nature: idealism and sovereignty from an ecocritical perspective. In: Chapin, K. and Jones, D. W. eds. Beethoven Studies 4. Cambridge Composer Studies Cambridge: Cambridge University Press. , pp.103-120.
Charuprakorn, P. 2020. The use of registral spacing and rhythmic density as musical trajectories in a portfolio of original compositions - Volume 1 of 2: Portfolio of original compositions. PhD Thesis , Cardiff University.
Charuprakorn, P. 2020. The use of registral spacing and rhythmic density as musical trajectories in a portfolio of original compositions - Volume 2 of 2: Academic Commentary. PhD Thesis , Cardiff University.
Faria Gomes, P. 2020. Pedro Faria Gomes: chamber works (Performed by Miguel Fernandes, Nancy Johnson, Saul Picado, Carla Santos and Sarah Thurlow). [CD] 2020-01-31Available at: https://www.naxos.com/catalogue/item.asp?item_code=8.579029.
Hamilton, K. 2020. Après une Lecture du Czerny? Liszt’s creative virtuosity. In: Doran, R. ed. Liszt and Virtuosity. Eastman Studies in Music New York: University of Rochester Press. , pp.41-92. (10.2307/j.ctvxhrkq3.6)
Hamilton, K. 2020. Do they still hate Horowitz?: The "last romantic" revisited. Journal of Musicological Research 39 (2-3), pp.246-271. (10.1080/01411896.2020.1774755)
Hamilton, K. 2020. More preludes to Chopin: nocturnes, waltzes and other works. 2020
Hillyard, J. 2020. Tremulous images: An original portfolio of compositions based on and informed by static visual art. PhD Thesis , Cardiff University.
Jones, D. W. 2020. Shared identities and thwarted narratives: Beethoven and the Austrian Allgemeine musikalische Zeitung, 1817-1824. In: Chapin, K. and Jones, D. W. eds. Beethoven Studies 4. Cambridge Composer Studies Cambridge: Cambridge University Press. , pp.166-188. (10.1017/9781108552813.009)
Jones, N. 2020. Landscape and place. In: Jones, N. and McGregor, R. eds. The Music of Peter Maxwell Davies. Woodbridge: Boydell & Brewer. , pp.251-302. (10.1017/9781787446823.008)
Jones, N. 2020. Manchester Resonances: Peter Maxwell Davies’s Juvenilia. Presented at: 2020 North American British Music Studies Association Conference Illinois State University [virtual conference] 21–26 July 2020.
Jones, N. and McGregor, R. 2020. The music of Peter Maxwell Davies. Boydell & Brewer.
Lawford, R. C. 2020. Roma as alien: Music and identity of the Roma in Romania. PhD Thesis , Cardiff University.
Leech, P. 2020. Gaudeamus omnes: Catholic liturgical music for St Thomas Becket in the British Isles, continental Europe and the venerable English college, Rome, c.1170-2020. In: Whitehead, M. ed. Memory, Martyrs, and Mission: Essays to Commemorate the 850th Anniversary of the Martyrdom of St Thomas Becket (c.1118-1170). Gangemi Editore. , pp.95-128.
Long, A. J. 2020. The creative application of extended techniques for double bass in improvisation and composition - Volume 1. PhD Thesis , Cardiff University.
Long, A. J. 2020. The creative application of extended techniques for double bass in improvisation and composition - Volume 2. PhD Thesis , Cardiff University.
Millar, S. 2020. Popular music as a weapon: Irish rebel songs and the onset of the Northern Ireland troubles. In: Mangaoang, Á. , O'Flynn, J. and Ó Briain, L. eds. Made in Ireland: Studies in Popular Music. New York: Routledge. , pp.130-141.
Millar, S. R. 2020. Sounding dissent: rebel songs, resistance, and Irish republicanism. Music and Social Justice Ann Arbor: University of Michigan Press. (10.3998/mpub.11393212)
O'Connell, J. 2020. 'Caught in a culture crossover!' Rock against racism and Alien Kulture. In: Arnold, G. and McKay, G. eds. The Oxford Handbook of Punk Rock. Oxford Handbooks Online Oxford University Press(10.1093/oxfordhb/9780190859565.013.20)
O'Connell, J. M. 2020. Sound bites: music as violence. Transposition 9 (2)(10.4000/transposition.4524)
O'Connell, J. M. 2020. E pluribus unum. Querelles d’hymnes dans l’Empire ottoman, 1908-1918. Gradhiva 31 , pp.56-73. (10.4000/gradhiva.4967)
Payne, E. 2020. The essence of femininity: The subversive potential of the music video aesthetic in perfume advertisement. Sonic Scope: New Approaches to Audiovisual Culture (10.21428/66f840a4.0cbdf606)
Power, M. J. et al., 2020. Football and politics: the politics of football. Managing Sport and Leisure 25 (1-2), pp.1-5. (10.1080/23750472.2020.1723437)
Rae, C. 2020. Forging identities: Latin Americans in Paris and the musical interactions of Miguel Angel Asturias and Alejo Carpentier. In: Huebner, S. and Lazzaro, F. eds. Artistic Migration and Identity: Paris 1870-1940. Bern, New York, Oxford: Peter Lang. , pp.153-166. (10.3726/b14353)
Rae, C. 2020. Jolivet reassessed. Presented at: Université de Montréal Research Seminar Université de Montréal [via Zoom] 14 October 2020.
Rowden, C. 2020. 'Carmen' faces Paris and the provinces. In: Langham Smith, R. and Rowden, C. eds. Carmen Abroad: Bizet's Opera on the Global Stage. Cambridge: Cambridge University Press. , pp.45-63.
Rowden, C. 2020. Charles Gounod, Cantates et musique sacrée - Flemish Radio Choir and the Brussels Philharmonic, Hervé Niquet cond - Includes book of essays in French and English edited by Alexandre Dratwicki - Collection Prix de Rome, vol. 6 - Ediciones Singulares 1030, 2017 (2 CDs: 127 minutes). Nineteenth-Century Music Review 17 (2), pp.297-300. (10.1017/S1479409818000605)
Rowden, C. 2020. Opera and parody in Paris, 1860-1900. Music and Visual Cultures Brepols.
Rowden, C. 2020. The sopranos, Parisian style, 1869. In: Opera as Institution: Networks and Professions (1730-1917). LIT Verlag. , pp.119-134.
Rowden, C. and Arbide, L. S. M. 2020. Final féministe: les défis de la mise en scène au XXIème siècle. #JeSuisCarmen. In: Lozier, C. and Marc, I. eds. Carmen Revisitée / Revisiter Carmen: Nouveaux Visages d'Un Mythe Transversal. Comparatisme Et Société / Comparatism and Society Peter Lang. , pp.159-174.
Smith, R. L. and Rowden, C. 2020. 'Carmen' at home and abroad. In: Carmen Abroad: Bizet's Opera on the Global Stage. Cambridge University Press. , pp.3-25.
Williams, A. 2020. ‘Curious sola’s’ The solo sonata in Restoration Britain. PhD Thesis , Cardiff University.